•Stories are well-chosen•Thumbnail author biographies add depth to appreciation of the preceding workNOTE: Placing biographies at END of story is KEY; there, depth can be added, asmomentum from the story can sustain actual interest in the author.On occasion, a biography preceding a story can pigeonhole an author before their voice is ever heard. I find it refreshing to encounter a work when I am free of my particular set of unaccountable grudges.CONTEXT at the beginning of a story, however, is useful. The following is an example of the context I find to be helpful:“This story first appeared in serial form on the ninth of May, 1869, in the satirical LONDON HULLABALLOO.”The ERA, CONTINENT, and description of FORMAT give me a hint about how to adjust my archaic SPEECH translator and to dust off the probable array of indispensable VOCABULARIES pertaining to servants,to types of jobs common in that era and to various forms:of transport, of communication, of artificial lighting. One dissuasion I would convey to the excellent Don MacDonald is to go easy on use of the various accents within the British Isles. The goal of any narrative is to sweep the listener away in the constructed world of the author.... Jarring speech introduces distraction and creates a great tear in the gently spun web of enchantment spun by the author. Granted, an author may have only faint gifts in that realm, but even so, introduction of an avoidable detraction from the work is a better course of action, to give those fainter stars of the literary world a fair chance to be experienced.Sparks